{"id":82,"date":"2015-08-05T17:46:33","date_gmt":"2015-08-05T17:46:33","guid":{"rendered":"https:\/\/www.mariannehauser.com\/?p=82"},"modified":"2016-03-24T13:15:58","modified_gmt":"2016-03-24T13:15:58","slug":"an-evolving-bibliography","status":"publish","type":"post","link":"https:\/\/www.mariannehauser.com\/?p=82","title":{"rendered":"AN EVOLVING BIBLIOGRAPHY"},"content":{"rendered":"<p>This is an evolving bibliography. It lists Marianne Hauser&#8217;s major publications. It is not complete for a number of reasons. One, I&#8217;m not a scholar. Just formatting this takes me a long time. Second, the online bibliographies are contradictory and incomplete. For instance, one lists the publisher of <em>Heaven 2<\/em> as &#8216;<a href=\"http:\/\/www.hallwalls.org\/\" target=\"_blank\"><strong>Hallwalls<\/strong><\/a>&#8216;. Hallwall&#8217;s published this story, yes. <strong><a href=\"http:\/\/www.hallwalls.org\/history.php\" target=\"_blank\">Hallwalls<\/a><\/strong> (click to read its history) is a non-profit arts organization in Buffalo, New York. It has galleries and performance spaces and has been a vital venue since the seventies for experimental, innovative and challenging art. Hauser read there in the 80s in a fiction series curated by <a href=\"http:\/\/www.as-ap.org\/oralhistories\/interviews\/interview-edmund-cardoni-executive-director-hallwalls-contemporary-arts-cen\" target=\"_blank\"><strong>Ed Cardoni<\/strong><\/a>, who is now Hallwall&#8217;s executive director.<br \/>\n<a href=\"https:\/\/www.mariannehauser.com\/wp-content\/uploads\/2015\/08\/hauser.hallwalls.2.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-85\" src=\"https:\/\/www.mariannehauser.com\/wp-content\/uploads\/2015\/08\/hauser.hallwalls.2-196x300.gif\" alt=\"hauser.hallwalls.2\" width=\"196\" height=\"300\" \/><\/a><\/p>\n<p>I will have much to say about Hallwalls and Ed Cardoni. Cardoni edited a serial with stories and pieces featured in the series. The name of that publication is <a href=\"http:\/\/www.biblio.com\/book\/blatant-artifice-fiction-anthology-vol-ii\/d\/222128733\" target=\"_blank\"><strong><em>Blatant Artifice<\/em><\/strong><\/a>, and it is in Blatant Artifice 2 that Hauser&#8217;s strory appears, along with work by Ray Federman and Mark Leyner. I recommend it to anyone who wants to read great short fiction.<br \/>\n<a href=\"https:\/\/www.mariannehauser.com\/wp-content\/uploads\/2015\/08\/hauser.hallwalls.1.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-84 size-medium\" src=\"https:\/\/www.mariannehauser.com\/wp-content\/uploads\/2015\/08\/hauser.hallwalls.1-300x140.gif\" alt=\"\" width=\"300\" height=\"140\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>I plan on publishing bibliographies of Hauser&#8217;s reviews here as well (she wrote 80+ reviews for the NYT alone between 1940 and 1943), and will update this bibliography as I get more information. If readers see errors, or know of publications not listed, please send me an email: jon at lastbender dot com.<\/p>\n<p><strong>Marianne Hauser Evolving Bibliography<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Novels and Collections<\/strong><\/p>\n<p><em>Monique.<\/em> Zurich: Ringier, 1934.<\/p>\n<p><em>Indisches Gaukelspiel <\/em>(<em>Shadow Play in India<\/em>). Leipzig: Zinnen, 1937.<\/p>\n<p><em>Dark Dominion<\/em>. New York: Random House, 1947.<\/p>\n<p><em>The Choir Invisible<\/em>. New York: McDowel, Obolensky, 1958. Published in England under original title, <em>The Living Shall Praise Thee<\/em>. London: Gollancz, 1957.<\/p>\n<p><em>Prince Ishmael<\/em>. New York: Stein and Day, 1963. Reprinted, Los Angeles: Sun and Moon Classics Series, 1991.<\/p>\n<p><em>A Lesson in Music<\/em>. Austin: University of Texas Press, 1964.<\/p>\n<p><em>The Talking Room<\/em>. New York: Fiction Collective, 1976. Excerpt in: Sukenick, Ronald and White, Curtis. 1999. <em>In the Slipstream: An FC2 Reader. <\/em>Normal\/Tallahassee: FC2.<\/p>\n<p><em>The Memoirs of the Late Mr. Ashley: An American Comedy<\/em>. Los Angeles: Sun and Moon Press, 1986. Trans. In German, Suhrfkamp, 1992.<\/p>\n<p><em>Me and My Mom.<\/em> Los Angeles: Sun and Moon Classics, 1993. Excerpt: Scandal at the Bide-A-Wee Nursing Home for Mature Seniors.\u00a0<em>Fiction International<\/em> 22, 1992.<\/p>\n<p><em>Shootout with Father<\/em>. Normal [Ill.]: FC2, 2002.<\/p>\n<p><em>The Collected Short Fiction of Marianne Hauser<\/em>. Normal [Ill.]: FC2, 2004.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Uncollected Stories<\/strong><\/p>\n<p>The Colonel\u2019s Daughter. <em>The Tiger\u2019s Eye<\/em> 3,March 1948, 21-34.<\/p>\n<p>The Rubber Doll. <em>Mademoiselle<\/em>, 1951.<\/p>\n<p>The Sun and the Colonel\u2019s Button. <em>Botteghe Oscure <\/em>12, Fall 1953, 255-72.<\/p>\n<p>note: first chapter of Prince Ishmael written in the 3<sup>rd<\/sup> person.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Nonfiction, partial list of American publications<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>The Indomitable Spirit of Alsace. <em>Travel<\/em> 70, 1938, 28 \u2013.<\/p>\n<p>Swan Song of the Middle Ages. <em>Travel<\/em> 72, 1939.<\/p>\n<p>Pantomime in Blue and Silver. <em>Travel<\/em> 72, 1938, 18 \u2013 .<\/p>\n<p>Bamboo, Symbol of Old China. <em>Travel.<\/em> 73, July 1939, 30.<\/p>\n<p>Successful Small Home That Suits the Environment. <em>Arts and Decoration<\/em> 49, February 1939, 18 \u2013 .<\/p>\n<p>Home Industries of the Swiss Peasants. <em>Arts and Decoration<\/em> 50, April 1939, 22\u201340.<\/p>\n<p>Marrakesh: Descent into Spring. <em>Harper\u2019s Bazaar<\/em>, May 1966, 188-203.<\/p>\n<p><strong>Story Collections<\/strong><\/p>\n<p><em>A Lesson In Music<\/em>. Austin: University of Texas Press, 1964.<\/p>\n<p>Contents:<\/p>\n<p>Introduction<\/p>\n<p>Allons Enfant. <em>Harper\u2019s Bazaar, <\/em>August, 1962.<\/p>\n<p>The Cruel Brother. <em>Mademoiselle<\/em>, October, 1945.<\/p>\n<p>Peter Plazke, Poet. <em>Perspective<\/em>, 1955.<\/p>\n<p>One Last Drop for Poor Abu<\/p>\n<p>A Lesson in Music. <em>Harper\u2019s Bazaar<\/em>, May, 1946.<\/p>\n<p>The Mouse. <em>The Tiger\u2019s Eye <\/em>8, June, 1949, 88-98. Reprinted in Foley, Martha. 1950. <em>The Best American Short Stories 1950. <\/em>Boston, Mass.: Houghton Mifflin.<\/p>\n<p>The Other Side of the River. <em>Mademoiselle<\/em>, (April 1948)<em>. <\/em>Reprinted in Brickell, Herschel. 1948. <em>Prize stories of 1948: the O. Henry Awards<\/em>. Garden City, N.Y.: Doubleday.<\/p>\n<p>The Dreaming of Poseidon.<em> Harper\u2019s Bazaar<\/em>, September 1961.<\/p>\n<p>The Island. <em>The Texas Quarterly<\/em>, Winter, 1959.<\/p>\n<p>The Sheep. <em>Harper\u2019s Bazaar<\/em>, May, 1945.<\/p>\n<p>The Abduction. <em>Harper\u2019s Bazaar<\/em>, 1964. Reprinted in: Morris, Alice S. 1965. <em>The Uncommon Reader<\/em>. New York, N. Y.: Avon Books. And\u00a0Gold, Don S. 1967. Philadelphia: Chilton Book Company.<\/p>\n<p><em>The Collected Short Fiction of Marianne Hauser<\/em>. Normal [Ill.]: FC2, 2004.<\/p>\n<p>Note: introduction written by Marianne Hauser<\/p>\n<p>Contents<\/p>\n<p>A Lesson in Music*<\/p>\n<p>ASHES: a fragment from a novel in the making. <em>Statements 2: NEW FICTION<\/em>, edited by Jonathan Baumbach and Peter Spielberg, with an introduction by Robert Coover, Fiction Collective, New York, 1977. (Ashes is an early version of chapter one of <em>The Memoirs of the Late Mr. Ashley: An American Comedy<\/em>).<\/p>\n<p>The Other Side of the River*<\/p>\n<p>Mimoun of the Mellah<em> Harper\u2019s Bazaar<\/em>, (December 1966): 114-82.<\/p>\n<p>Heartlands Beat. <em>Fiction International<\/em> 18, 1 (Spring 1988): 11-22.<\/p>\n<p>Peter Plazke, Poet*<\/p>\n<p>The Sheep*<\/p>\n<p>The long &amp; short: a fable<\/p>\n<p>The Cruel Brother*<\/p>\n<p>The Seersucker Suit. <em>Carleton Miscellany <\/em>9 (Fall 1968): 2-14. Reprinted in<em> American Made: New Fiction from the Fiction Collective<\/em>, ed. Mark Leyner, Curtis White, and Thomas Glynn, 93-106. New York: Fiction Collective, 1986.<\/p>\n<p>Weeds. <em>Denver Quarterly<\/em><\/p>\n<p>Heaven 2. <em>Blatant Artifice, Hallwall&#8217;s Fiction Anthology. <\/em>vol 2.\u00a0ed. Edmund Cardoni.\u00a0Buffalo: Hallwalls,\u00a01986.<\/p>\n<p>The Dreaming Poseidon*<\/p>\n<p>Conflict of Legalities. <em>High Plains Literary Review.<\/em><\/p>\n<p>The Island*<\/p>\n<p>No Name on the Bullet. <em>Fiction International<\/em> 19, 2.<\/p>\n<p>The Missing Page. <em>Witness<\/em> 1, 2\/3.<\/p>\n<p>It Isn\u2019t So Bad It Couldn\u2019t Be Worse. <em>City 9 International Anthology.<\/em><\/p>\n<p>Allons Enfants*<\/p>\n<p>My Uncle\u2019s Magic Machine <em>Fiction International<\/em> 34, (Fall 2001).<\/p>\n<p>The Abduction*<\/p>\n<p>*= published in <em>A Lesson in Music<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is an evolving bibliography. It lists Marianne Hauser&#8217;s major publications. It is not complete for a number of reasons. One, I&#8217;m not a scholar. Just formatting this takes me a long time. Second, the online bibliographies are contradictory and incomplete. For instance, one lists the publisher of Heaven 2 as &#8216;Hallwalls&#8216;. Hallwall&#8217;s published this &hellip; <a href=\"https:\/\/www.mariannehauser.com\/?p=82\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">AN EVOLVING BIBLIOGRAPHY<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":83,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[14],"tags":[20,42,40,41,22,2,43,9],"class_list":["post-82","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bibliographies","tag-a-lesson-in-music","tag-blatant-artifice","tag-ed-cardoni","tag-hallwalls","tag-harpers-bazaar","tag-marianne-hauser","tag-marianne-hauser-bibliography","tag-the-tigers-eye"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.mariannehauser.com\/wp-content\/uploads\/2015\/08\/2015-05-03-01.29.13.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p64Cqc-1k","_links":{"self":[{"href":"https:\/\/www.mariannehauser.com\/index.php?rest_route=\/wp\/v2\/posts\/82","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mariannehauser.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mariannehauser.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mariannehauser.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mariannehauser.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=82"}],"version-history":[{"count":7,"href":"https:\/\/www.mariannehauser.com\/index.php?rest_route=\/wp\/v2\/posts\/82\/revisions"}],"predecessor-version":[{"id":106,"href":"https:\/\/www.mariannehauser.com\/index.php?rest_route=\/wp\/v2\/posts\/82\/revisions\/106"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mariannehauser.com\/index.php?rest_route=\/wp\/v2\/media\/83"}],"wp:attachment":[{"href":"https:\/\/www.mariannehauser.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=82"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mariannehauser.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=82"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mariannehauser.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=82"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}